L'asediu de Donostia ye un cuadru allugáu nel Muséu San Telmo en Donostia.
The siege of San Sebastian painting is located in San Telmo Museoa at San Sebastián.
Reflexa l'Asediu de San Sebastián en 1813 y foi pintau por un autor desconocíu nel sieglu XIX.[1]
It desribes the Siege of San Sebastián in 1813 and was created by an unknown author in the 19th century.[1]
L'asediu de San Sebastián ocurrió al acabu de la Guerra de la Independencia Española cuando l'Armada francesa retiró a Francia, dende'l 7 de xunetu de 1813 a 8 de setiembre.[2] L'asediu remató cola destrucción y quema de tola ciudá.
The siege of San Sebastian ocurred at the end of the Peninsular War when the French army was retiring to France, since July 7 1813 to September 8.[2] The siege finished with destruction and burning of the whole city.
ReferencIes
References
Esta llista recueye los castiellos allugaos na República d'Armenia.
Castles located in the Republic of Armenia.
Tierres de cultivu na rexón, 2014.
Bay of Plenty farmlands, 2014
La Badea de Plenty (maori: Te Moana-a-Toi; inglés: Bay of Plenty, topónimu que significa literalmente Badea de l'Abondancia) ye una rexón de la Isla Norte de Nueva Zelanda asitiada alredor del cuerpu d'agua del mesmu nome.
The Bay of Plenty (Māori: Te Moana-a-Toi[2]), often abbreviated to BOP, is a region in the North Island of New Zealand situated around the body of water of the same name.
La badea tien el so nome gracies a les observaciones de diversos poblaos maorí nos quales James Cook notó nes abondantes reserves d'alimentos, a diferencia de les sos observaciones anteriores na Badea de la Probeza (Poverty Bay).
The bay was named by James Cook after he noticed the abundant food supplies at several Māori villages there, in stark contrast to the earlier observations he had made in Poverty Bay.
Badea de Plenty (rexón)
Bay of Plenty Region
Biographía
Biography
Themas presentaos en bandes sonores
Songs featured on soundtracks
2000s ta weï
2000s to date
Discographía
Discography
Albuns de studio
Studio albums
1992: "People Get Ready (Remix)" en Juice 1994: "Close to You" en Prêt-à-Porter 1994: "Higher Learning/Time for Change" en Higher Learning 1996: "World Keeps Spinning" en The Truth About Cats & Dogs 1997: "I Like It" en Love Jones 1998: "More Love" en Sliding Doors 2006: "Jump n' Move" en Happy Feet
1992: "People Get Ready (Remix)" in Juice 1994: "Close to You" in Prêt-à-Porter 1994: "Higher Learning/Time for Change" in Higher Learning 1996: "World Keeps Spinning" in The Truth About Cats & Dogs 1997: "I Like It" in Love Jones 1998: "More Love" in Sliding Doors 2006: "Jump n' Move" in Happy Feet
The Brand New Heavies ye una banda d'Acid Jazz & Funk formada en 1985 n' Ealing, a l'oeste de Londres.
The Brand New Heavies are an acid jazz and funk group formed in 1985 in Ealing in west London.
Centrada nos compositores/ multi-instrumentistas Simon Bartholomew & Andrew Lewi, Los miembros del nucleu la banda d'ende la sua fundacion, Brand New Heavies son bien conocíos por una riestra singles exitosos al principio los 1990s Presentando N'Dea Davenport como primeira vocalista.
Centered around songwriters/multi-instrumentalists Simon Bartholomew and Andrew Levy, the core members of the group since its founding, Brand New Heaviers are best known for a string of successful singles in the early 1990s featuring N'Dea Davenport as lead vocalist.
The Brand New Heavies intamou na década de 1980 como una banda d’Acid Jazz instrumental tsamada Brothers International.
The Brand New Heavies began in the 1980s as an instrumental acid jazz group called Brothers International.[1]
La banda creou el nome Heavies tres robrar el sou primeiru contractu de grabacion, garrando-lu emprestau d’una contra-portada nùn single de James Brown declarando l’artista “Ministru del Nuevu Super Heavy Funk”. Como The New Heavies algamarun cultu pela scena de clubs de Londres & tsuego rapidamente robrarun con Cooltempo al substituyir l’Acid Jazz al Rare Groove nos clubs.La banda strenou-se con Eddie Piller Acid Jazz en 1990 con Jay Ella Ruth como vocalista principal.
The group came up with the Heavies name after signing their first record contract, borrowing from a liner note on a James Brown single declaring the artist "Minister of New Super Heavy Funk".[2] As The Brand New Heavies they gained a cult following in the London club scene and soon signed to Cooltempo as acid jazz replaced rare groove in clubs. The band issued a debut recording for Eddie Piller's Acid Jazz label in 1990 with Jay Ella Ruth as lead singer.[3]
Un single, “Got to Give” saliu en Cooltempo primeiro de TBNH firmar con Acid Jazz Records & sacar Brand New Heavies acclamau pola crítica.La banda robrou un contractu con una division de la Chrysalis Records en UK, & la distribucion americana fixzo-la la influyente grabadora Delicious Vinyl, & N’Dea Davenport (que firmara un contractu de desendolque d’artistas cola Delicious Vinyl) axunctou-se a la banda.
A single, "Got to Give", came out on Cooltempo before the Brand New Heavies signed to Acid Jazz Records and released Brand New Heavies to critical acclaim. The band signed to a division of Chrysalis Records in the UK,[1] and American distribution was picked up by influential label Delicious Vinyl, and N'Dea Davenport (who had signed an artist development deal with Delicious Vinyl) joined the group.
Sacou-se una version renovada del album primeiru con N’Dea de vocalista & los singles “Dream Come True” , “Never Stop” & “Stay this Way”, tornarun-se éxitos a les dues costes del Atlántico, col últimu tornando-se un videoclip empobinau por Douglas Gayeton que foi promocionau fuertemente na MTV.
A revamped version of the first album with vocals by N'Dea Davenport was then released, and the singles "Dream Come True", "Never Stop" and "Stay This Way", all with Davenport on lead vocals, became hits on both sides of the Atlantic, with the latter becoming a music video directed by Douglas Gayeton that saw heavy rotation on MTV.
L’appaicion de la banda con MC Serch (primeiro con 3rd Bass) & Q-Tip (de A Tribe Called Quest) nuna session en Nueva York, inspirou la banda a incorporar elementos Hip Hop.
The group's appearance with MC Serch (formerly of 3rd Bass) and Q-Tip (of A Tribe Called Quest) at a performance in New York City, inspired the group to incorporate elements of hip hop music.
El sou próximu album será acclamau pola critica Heavy Rhyme Experience Vol.
Their next album was the critically acclaimed Heavy Rhyme Experience, Vol.
1 incluyendo collaboraciones con Guru de Gang Starr & The Pharcyde, ente outros, pero en sin voz feminina.
1, which included collaborations with Guru of Gang Starr and The Pharcyde, among others, but lacked any female vocals.
TBNH sacou Brother Sister en 1994, que foi l’últimu album per un tiempu con Davenport, que saliera pa completar el sou album solina (que proveciera p’axunctase colos Heavies).
The Brand New Heavies released Brother Sister in 1994 which was the last album for a while with N'Dea Davenport, who had left to complete her solo album (which she had put on hold to join the Heavies).
L’album guariou mas singles, magar un d’eitsos, una version de Maria Muldaur “Midnight at the Oasis” malpenes fuera popular en UK al nun s’incluyir na version USA del album.
The album spawned more singles, though one of them, a cover of Maria Muldaur's "Midnight at the Oasis", was popular only in the UK because it was not included in the US version of the album.
Siedah Garret axunctará-se a la banda pal sou próximu album, Shelter (1997).
Siedah Garrett joined the group for their next album, Shelter (1997).
Contenìa un éxitu menor, el cantar de cantares “You’ve got a friend” de Carole King que tornara famosu James Taylor.
It contained the minor hit, the Carole King-penned song "You've Got a Friend" that was originally made famous by James Taylor.
Outra vez, esa mùsica nun appaeciera na version EUA del album.
Again, though, this song did not appear on the US version of the album.
Èsti tamien contenía l’éxitu “Sometimes”.
The album also contained the hit "Sometimes".
El remix incluyía vocales rap de Q-Tip.
The remix of "Sometimes" included the rap vocals of Q-Tip.
TBNH sacou d’aqueitsa el sou album de mayor éxitu, Trunk Funk- The Best Of TBNH (2000) con Carleen Anderson como vocalista en deitsos themas acabantes grabar, continuando l’album del Xapon We Won’t Stop con variedá de vocalistas & Allaboutthefunk scriptu & producíu a communna con Nicole Russo (como vien specificau na carátula del album), que tamien se presentou como vocalista.
The Brand New Heavies then released their greatest hits album, Trunk Funk – The Best of The Brand New Heavies (2000) with Carleen Anderson on vocals for some newly recorded songs, followed by the Japan only album We Won't Stop (2003) featuring a variety of vocalists and Allaboutthefunk (2005) co-written and co-produced by Nicole Russo (as detailed on the album sleeve) who also featured as Lead vocalist.
Pal album We won’t Stop TBNH contaba cola cantante & compositora Sy Smith na totalidá del vocal feminino. El miembru inicial Jan Kincail assumirá l’empobine de trés de los themas, & la poeta de Los Angeles Gina Loring fairá varies appaiciones nel album. Onde’l son typicu de los Heavies tenía sido mas funk stylu 1970 & tirando contra mas a acústicu, en We We Won’t Stop ve-se a la banda experimentando con elementos electrónicos & R&B contemporaneo.
For We Won't Stop album, The Brand New Heavies relied on singer/songwriter Sy Smith for the bulk of the female vocals.[4] Original member Jan Kincaid takes the lead on three of the tracks, and Los Angeles-based poet Gina Loring[5][6] makes several appearances on the album.[7] Where the Heavies typical sound had typically been more 1970s funk-styled and acoustically driven, We Won't Stop sees the band experimenting with more electronic elements and contemporary R&B.[8]
El album marcou la primeira edicion commercial de “What Do You Take Me For”, thema solitariu de la banda cola ex-vocalista principal N’Dea Davenport. El thema diba ser mas tarde re-grabau nuna configuracion mas moderna con Nicole Russo de vocalista pal album Allabouthtefunk. El son & los arreglos musicales ouyíos nestes primeires ediciones de “Music”, “Love is…” & el thema “We Won’t Stop” fueran regrabaos con N’Dea Davenport como vocalista tres el retornu a la banda col album Get Used to It.
The album marked the first commercial release of "What Do You Take Me For", the band's lone track featuring former flagship lead vocalist N'Dea Davenport.[9] The track would be later re-recorded in a more modern configuration with Nicole Russo on lead for the Allabouthefunk album.[10] The sound and musical arrangement heard on these first releases of "Music", "Love Is...", and the title track "We Won't Stop" were re-recorded with new leads on N'Dea Davenport's 2006 return to the band for the comeback album Get Used to It.[11]
N’abril 2006 TBNH reuniu-se con N’Dea & la grabadora Delicious Vinyl.
In April 2006, the Brand New Heavies reunited with N'Dea Davenport and former label Delicious Vinyl.
Un nuevu album, Get Used to It sacaba-se’l 27 xuno 2006 via Starbucks & commercios minoristas tradicionales.
A new album, Get Used to It was released on 27 June 2006 via Starbucks and more traditional music retail outlets.
L’album grabou-se en Nueva York & Londres, & el single “I Do not Know Why” foi sacau a principios de mayo.
The album was recorded in New York and London; and the lead single "I Don't Know Why (I Love You)" was issued in early May.
El single rescampla por ser una de les pouques ediciones serondes pa presentar la marca A Tom Moulton Mix como se y sollicitara contribuyendo con remixes.
The single was notable for being one of very few late releases to feature the trademarked A Tom Moulton Mix, as he had been asked to contribute remixes.
Mas tarde, el mesmu annu, el thema “Jump ‘n’ move” del sou Heavy Rhyme Experience Vol.
Later that year, their Heavy Rhyme Experience, Vol.
1 con Jamal-ski foi destaque na banda sonora de la pellìcula d’animacion por computador Happy Feet 2006 & la banda sonora nel video-trebeyu NBA Live 2005 NBA 2k10.
1 album track "Jump 'n' Move" featuring Jamal-ski was featured on the soundtrack for the 2006 computer animated feature film Happy Feet and the in-game soundtrack for 2004's NBA Live 2005 and 2009's NBA 2k10.
La banda fairía una tournée pa contra el final de 2006.
The band toured at the end of 2006.
Los Heavies grabaron una version de "C'est Magnifique" ( del musical datau de 1953 de Cole Porter Can-Can) pa un annunciu de TV de Lancôme.
The Heavies recorded a cover of "C'est Magnifique" (originally from Cole Porter's 1953 musical Can-Can) for an early 2009 TV ad by Lancôme.
El cantar appaeciera ceo tamien nún corte del album en vivo del 2009 de los Heavies, pero nun s'incluyiu.
The song also appeared in an early track listing of the Heavies' 2009 live album, but wasn't eventually included.
El CD doble Live in London sacou-se n'Outschobre 2009.
The 2-CD Live in London was released in October 2009.
La version studio de "C'est magnifique" sacou-se como descarga & foi inclusa n'un par compilaciones d'artistas varios.
The studio version of "C'est Magnifique" was released as a download and also included on a couple of various artists compilations.
TBNH sacou un album instrumental a descargase pela Rede tsamau Dunk Your Trunk en Noviembre 2011. L’album, grabau en malpenes quattro dìas & commentau como “funky library music” foi empobinau pa “TV & xente del cine lu poder axunctar a los sos programas & pellícules”.
The Brand New Heavies released a download instrumental album called Dunk Your Trunk in November 2011.[12] The album, recorded in only four days and described as 'funky library music' is directed at 'TV and Movie people to add to their programmes and films'.
El Dunk Your Trunk Remixed EP de 5 themas sacou-se per descarga el 1 mayo 2013.
The 5-track Dunk Your Trunk Remixed E.P. was released on download on 1 May 2013.
Dawn Joseph foi vocalista principal de The Brand New Heavies de 2013 a 2015.
Dawn Joseph was lead vocalist for The Brand New Heavies from 2013 to 2015.
L'outschavu album de TBNH, Forward sacou-se el 6 mayo 2013.
The Brand New Heavies eighth studio album Forward was released on 6 May 2013.
La parte vocal del album divide-se a la par ente N’Dea Davenport, que presenta el sou single primeiru “Sunlight”, Jan Kinkaid & Simon Bartholomew, & la nueva vocalista británica Dawn Joseph. En tanto l’album foi producíu polos proprios Heavies, como todos los sous albuns anteriores, tamien vienen nuevos collaboradores, incluyindo los compositores Johan Jones Witterberg, Marc Jackson Burrows, Rita Campbell & Tim Laws, & el téchnicu de son Toni Economides.
Lead vocal duties on the album are divided evenly between N'Dea Davenport, who features on the first single "Sunlight", Jan Kincaid and Simon Bartholomew, making his debut as lead vocalist on this album, and new UK vocalist Dawn Joseph.[13] While the album was produced by the Heavies themselves, as all their previous albums, there are also new collaborators, including songwriters Johan Jones Wetterberg, Marc Jackson Burrows, Rita Campbell and Tim Laws and mixing engineer Toni Economides.