007 DVD Copy 5,0 allow you to create backups of your DVD with all the fidelity and guarantee.
007 DVD Cóip 5,0 ligean duit a chruthú backups de do DVD le fidelity go léir agus ráthaíocht.
The process is fast, simple and first of all very trustworthy because the obtained result maintains the same quality and options of the original DVD, not permiendo anything of its original format.
Tá an próiseas tapa, simplí agus an gcéad de gach trustworthy an-toisc go gcloífidh an toradh a fhaightear nach bhfuil an caighdeán céanna agus na roghanna atá ar an DVD bunaidh, permiendo rud ar bith dá fhormáid bunaidh.
In addition to the being to a so easy use and intuitive he is ideal for those users who never have made copies of DVD and want to learn to do it.
Chomh maith le bheith ar úsáid chomh héasca agus iomasach bhfuil sé oiriúnach dóibh siúd nach bhfuil cóipeanna d'úsáideoirí atá déanta ar DVD agus ba mhaith liom a fhoghlaim a dhéanamh.
Supports NTSC and PAL TV, including also a tool encoder DVD / VCD recorder and a DVD / CD which supports DVD-R, DVD-RW, DVD + R, DVD + RW, DVD-RW DL, DVD + R DL
Tacaíochtaí NTSC agus PAL teilifíse, lena n-áirítear freisin mar uirlis ionchódóra DVD / VCD taifeadta agus DVD / CD a thacaíonn DVD-R, DVD-RW, DVD + R, DVD + RW, DVD-RW DL, DVD + R DL
The names of some programs are highly misleading, as is the case of this 008 WMA To WAV Converter, because if one were to judge him only by name, it seems that is the typical convert WMA to WAV, and indeed it is, but their duties go far beyond.
Tá ainmneacha na roinnt clár an-míthreorach, de réir mar atá an cás seo a WMA 008 Chun WAV Tiontaire, mar má bhí ceann amháin chun breithiúnas a thabhairt air ach amháin de réir ainm, is cosúil go bhfuil an tipiciúil WMA thiontú go WAV, agus go deimhin go bhfuil sé, ach go n- dualgais a théann i bhfad níos faide.
WMV format has become over the years into one of the most popular video formats that exist, almost as much as the AVI.
Tá formáid WMV éirí thar na blianta i gceann de na formáidí físeáin is coitianta atá ann, beagnach oiread agus is leis an AVI.
It is therefore logical that there is a conversion program as 008Soft WMV To AVI Converter.
Tá sé, dá bhrí sin loighciúil go bhfuil clár athchóirithe mar 008Soft WMV A AVI Converter.
The role of 008Soft WMV To AVI Converter is very clear: convert WMV files directly to AVI.
Is é ról na 008Soft WMV A AVI Converter an-soiléir: comhad WMV thiontú díreach go AVI.
In order to function you need to have previously installed the DirectX 9.0 or higher.
D'fhonn a fheidhm is gá duit a bheith suiteáilte cheana DirectX 9.0 nó níos airde.
If you wear a busy life, both work and socially, so if it is interesting to have a calendar reminder as 024 Lucky Reminder will alert you with alarms for all events that still have outstanding, and have a little more organized all tasks you are done. 024 Lucky Reminder is fully configurable by the user, being able to add automated alerts for every hour of the day, may schedule for days, weeks or even months.
Má chaitheann tú saol gnóthach, idir obair agus go sóisialta, mar sin má tá sé suimiúil a bheith acu i gcuimhne féilire mar 024 Meabhrúchán Lucky Beidh foláireamh duit le aláraim le haghaidh imeachtaí ar fad a bhfuil fós le híoc, agus tá beagán níos eagraithe na cúraimí atá tú ag déanamh . 024 Meabhrúchán Lucky is configurable go hiomlán ag an úsáideoir, a bheith in ann a chur foláirimh uathoibrithe maidir le gach uair an chloig ar an lá sin, féadfaidh sceideal le haghaidh laethanta, seachtain nó fiú mhí.
There are several different alarm sounds and you can jump to activate popup windows to alert each time with the corresponding mensajito. It also work through local networks (LAN).
Tá roinnt aláraim fuaimeanna éagsúla agus is féidir leat léim a ghníomhachtú fuinneoga aníos leis an airdeall gach uair leis an mensajito comhfhreagrach. obair sé freisin trí líonraí logánta (LAN).
Do you want to be protected from annoying spyware or spyware?
Ar mhaith leat a chosaint ó spyware annoying nó spyware?
1-2-3 Spyware Free Mobile is the mobile version (or portable) of a magnificent anti-spyware utility, which also comes in Spanish language. You can carry on your USB device, on your iPod or other portable system capable of storing data, since no installation is needed.
Tá 1-2-3 Spyware Saor Mobile an leagan soghluaiste (nó iniompartha) de fóntais anti-spyware iontach, a thagann chomh maith i language.You Spáinnis is féidir a dhéanamh ar do ghléas USB, ar do iPod nó córas iniompartha eile in ann na sonraí a stóráil , ós rud é nach bhfuil ag teastáil a shuiteáil.
If you detect any problems, the program will let you know. You will gain in security and tranquility. In addition, 1-2-3 Spyware Free Mobile can be programmed to run automatically analyses by a particular time.
Ina theannta sin, is féidir 1-2-3 Spyware Saor Mobile a bheith cláraithe chun anailísí ag rith go huathoibríoch time.Nor roghanna áirithe ar iarraidh a uasghrádú, chun a chinntiú go bhfuil fáil ar an mbunachar sonraí leis an spyware is déanaí agus is déanaí a dtugtar.
All files to find duplicates in a list to show that, well, is the user who ultimately decides what to do with them.
Gach comhad a aimsiú dúbailt i liosta chun a thaispeáint go bhfuil, go maith, tá an t-úsáideoir a chinneann deireadh thiar cad a dhéanamh leo.
Then you must try this 1-abc.net File Encrypter.
Nuair a tharlaíonn sé seo duit cad is gá duit clár cosúil 1-abc.net Comhad Athainmneoir.
Anyone who has bought a digital camera and has made many pictures with it you can see, to overturn these pictures to the computer, with little descriptive names, for example, IMG_1329.
Duine ar bith a bhfuil cheannaigh ceamara digiteach agus rinne sí pictiúir go leor leis is féidir leat a fheiceáil, ar na pictiúir overturn chun an ríomhaire, a bhfuil ainmneacha tuairisciúla beag, mar shampla, IMG_1329.
When this happens you what you need is a program like 1-abc.net File Renamer.
Nuair a tharlaíonn sé seo duit cad is gá duit clár cosúil 1-abc.net Comhad Athainmneoir.
1-abc.net File Renamer is a renowned name pictures and even allow for massive popularity of entire blocks of images.
Is é 1-abc.net Comhad Athainmneoir le pictiúir ainm clúiteach agus fiú a cheadú do tóir ollmhór na mbloc iomlán na n-íomhánna.
The Windows Registry is an essential element for the proper functioning and performance of the computer, hence the more clean and optimized is the better the efficiency of PC. 1 Click Fixer Plus is a brilliant utility that lets you clean the overall Windows registry but also repair automatic detect possible errors in the registry.
Is é an Chlárlann Windows gné riachtanach do dhea-oibriú agus ar fheidhmíocht an ríomhaire, mar sin, an níos glan agus uasmhéadú is fearr ar éifeachtúlacht ríomhaire. Is é 1 Cliceáil Fixer Plus le fóntais iontach go ligeann tú glan ar an iomlán Windows registry ach freisin a dheisiú uathoibríoch bhrath earráidí is féidir sa chlár.
This 1 Click Fixer Plus detects and cleans all those expired or invalid entries that are no longer necessary to have in the registry and the only thing they do is take up space and slowing down the operation of the computer.
Seo 1 Cliceáil Fixer Plus bhraitheann agus dóibh siúd go léir cleans iontrálacha in éag nó neamhbhailí nach bhfuil riachtanach a thuilleadh a bheith acu sa chlár agus is é an rud amháin a bhfuil siad ag glacadh le spás agus moilliú síos ar oibriú an ríomhaire.
Keep clean and updated your Windows registry errors, eventually your PC as you would appreciate being its performance more efficient.
Coinnigh glan agus suas chun dáta d'earráidí chlár Windows, diaidh ar do ríomhaire mar a bheadh agat meas a bheith ar a feidhmíocht níos éifeachtaí.
So why not have access to them all with a single mouse click?
Mar sin, cén fáth nach bhfuil rochtain orthu go léir le cliceáil luch aonair?
It also allows you to impose a password that only you can enter through these shortcuts.
Ceadaíonn sé duit freisin a fhorchur pasfhocal nach raibh ach is féidir leat dul isteach trí na aicearraí.
Join our agency now!加入我们的代理吧!
Cláraigh lenár gníomhaireacht anois!
You will surely enjoy video for Russian women introducing themselves or walking along the streets of their native cities.你一定会喜欢的自我介绍俄罗斯妇女的视频或沿其本土城市的街上行走.
Beidh tú taitneamh as surely físeán do mhná na Rúise féin a thabhairt isteach nó ag siúl feadh na sráideanna a cathracha dúchais.
To contact a Russian woman from this list is for men who are not afraid of competition!要联系本列表从俄罗斯女人是男人谁不害怕竞争!
Chun teagmháil a dhéanamh le bean Rúisis ón liosta seo a bhfuil d'fhir nach bhfuil eagla ar an iomaíocht!
1-More WebCam allows you to get much more productivity to your webcam, thus leaving to record everything that happens in front of her every certain intervals of time that determines yourself, or simply to record each time it detects movement, although an ideal tool for monitoring laboratories, offices, etc.. 1-More WebCam can set the recording equalizer with filters, grayscale and even generate reports in HTML activity that has occurred. It also integrated with its own FTP allows a server to upload images that you are recording, although easily incorporated into websites where they see in near real time what is happening.
1-More WebCam is féidir leat chun táirgiúlacht i bhfad níos mó a fháil ar do webcam, rud a fhágann a thaifeadadh gach rud a tharlaíonn os comhair a gach eatraimh áirithe ama a chinntíonn tú féin, nó go simplí chun taifead gach uair a bhraitheann sé gluaiseacht, cé gur uirlis iontach do saotharlanna monatóireacht, oifigí, etc. 1-Níos mó is féidir WebCam a leagtar ar an Cothromóir taifeadadh le scagairí, liathscála agus fiú tuarascálacha i ngníomhaíocht HTML go bhfuil occurred.It comhtháite chomh maith lena FTP féin is féidir ar fhreastalaí a híomhánna a uaslódáil go bhfuil tú ag taifeadadh, cé a ionchorprú go héasca i láithreáin ghréasáin a ghiniúint nuair a fheiceann siad i bhfíor-am in aice le cad atá ag tarlú.
If you are of the opinion that the old, ingenious sets and basic classics decades ago were more entertaining, addictive and fun that now, then you'll love this 10 in 1 Classic games.
Má tá tú den tuairim go raibh an aois, leagann Ingenious agus fiche nó tríocha bliain ó shin Classics bunúsacha níos siamsaíocht, andúile agus spraoi sin anois, ansin beidh tú breá an 10 i 1 cluichí Classic.
Because 10 in 1 Classic games in one program brings together 10 classic games and pioneers of all times: Ball Breaker, Fallout, Five, Orbox B, Pac-Xon, PacMan, Quick Pic, Hunt Snake, Space Invaders and Tetris .
Toisc go 10 i 1 cluichí Classic in aon chlár thugann le chéile 10 cluichí clasaiceach agus ceannródaithe i gcónaí: Ball Breaker, Fallout, a Cúig, Orbox B, PAC-Xon, Pacman, Quick PIC, Hunt Snake, Invaders Spás agus Tetris.
The pack of 10 in 1 Classic games is free.
Tá an pacáiste de 10 i 1 cluichí Classic saor in aisce.
This source has a lot of acceptance among the followers of Naruto, and can be used in elements, graphics, designs, products, etc., remain free.
Tá an fhoinse a lán de glacadh i measc na leanúna na Naruto, agus is féidir a úsáid i míreanna, grafaicí, dearaí, táirgí, etc, fanacht saor in aisce.
The source containing alphanumeric characters and some symbols, and comes in a format accessible to True Type Font (TTF), which is suitable for use in various platforms, the big snag is that the only way to the source, has no color Edging or shadows.
Tagann an fhoinse a bhfuil carachtair alfa-uimhriúla agus roinnt siombailí, agus i bhformáid atá inrochtana do Fíor Cineál Cló (TTF), atá oiriúnach le húsáid i ardáin éagsúla, is é an snag mór go bhfuil an t-aon bhealach leis an fhoinse seo, aon Edging dath nó scáthanna .
71% of people tried to complete this challenge, but failed quoting lack of time as the main reason.
Rinne 71% de daoine iarracht chun an dúshlán seo a críochnadh, ach théip siad toisc nach raibh neart ám acu.
These people simpy did not have time to be happy.
Ní raibh ám ar bith chun a bheith sásta ag na daoine sin!
It is not a happiness competition or a showing off contest.
Níl comortas sonas nó iomaíocht thaispeantais é.
People successfully completing the challenge claimed to:
Thárla sé seo do dhaoine nuair a chríochnaigh siad an dúshlán:
– Start noticing what makes them happy every day;
– Thósaigh siad ag tabhairt faoi deara cád iad gur chuir sonas iontu gach lá;
– Be in a better mood every day;
– Bhí meoin níos fearr acu gach lá;
71% of people tried to complete this challenge, but failed quoting lack of time as the main reason.
Rinne 71% de daoine iarracht chun an dúshlán seo a críochnadh, ach théip siad toisc nach raibh neart ám acu.
These people simpy did not have time to be happy.
Ní raibh ám ar bith chun a bheith sásta ag na daoine sin!
It is not a happiness competition or a showing off contest.
Níl comortas sonas nó iomaíocht thaispeantais é.
People successfully completing the challenge claimed to:
Thárla sé seo do dhaoine nuair a chríochnaigh siad an dúshlán:
– Start noticing what makes them happy every day;
– Thósaigh siad ag tabhairt faoi deara cád iad gur chuir sonas iontu gach lá;
– Be in a better mood every day;
– Bhí meoin níos fearr acu gach lá;
- Start noticing what makes them happy every day;
Rinne 71% de daoine iarracht chun an dúshlán seo a críochnadh, ach théip siad toisc nach raibh neart ám acu.
- Become more optimistic;
Níl comortas sonas nó iomaíocht thaispeantais é.
a little 100 page book with your 100 happy daysat the finish line of the challenge!
Thárla sé seo do dhaoine nuair a chríochnaigh siad an dúshlán:
On this website you can explore Ireland's fascinating history through these wonderful objects.
Ar an láithreán gréasáin seo, trí bhreathnú ar na réada iontacha sin, is féidir leat spléachadh a fháil ar stair fhíorspéisiúil na hÉireann.
Ballinderry Brooch Found in the 1930s in a crannóg (lake dwelling) on the south side of Ballinderry Lough in Co. Offaly, this is one of the most startlingly complex objects ever discovered in Ireland.
Dealg Bhaile an Doire Aimsíodh an réad seo i rith bhlianta na 1930-idí i gcrannóg (áit chónaithe ar oileán) ar an taobh theas de Loch Bhaile an Doire i gCo.
It arose from a richly sophisticated and cosmopolitan culture in which pre-Christian forms are being subtly reshaped to elaborate Christian theology.
Ba chuid de chultúr an-sofaisticiúil, iltíreach é ina raibh foirmeacha réamh-Chríostaí á n-athchruthú go caolchúiseach de réir dhiagacht chasta na Críostaíochta.
It tells us that Irish art was both absorbing very complex iconography from as far away as Palestine and enriching it with older pagan symbolism.
Insíonn sé dúinn go raibh ealaín na hÉireann ag ionsú íocónagrafaíocht an-chasta ó áiteanna chomh fada i gcéin leis an bPalaistín agus á saibhriú le siombalachas págánach de chineál níos seanda fós.
The brooch is zoomorphic (animal-shaped) and penannular (there is a gap in the ring); this is a style developed in Roman Britain but popular in Ireland between the fifth and seventh centuries.
Tá an dealg míolchruthach (ar déanamh ainmhí) agus neasfháinneach (tá bearna ann san fháinne): is stíl í sin a forbraíodh sa Bhreatain Rómhánach agus bhí sí coitianta in Éirinn idir an cúigiú haois agus an seachtú haois.
This is the most elaborate ever found.
Is é seo an ceann is ilchasta dár aimsíodh riamh.
Its maker may have been an Irish artist-craftsman of international standing, who may also have made the escutcheons of the largest hanging bowl found in one of the most famous archaeological discoveries in western Europe, the Anglo-Saxon ship burial from Sutton Hoo in East Anglia.
D’fhéadfadh sé go raibh a dhéantóir ina cheardaí Éireannach a raibh ardchlú idirnáisiúnta air agus, chomh maith leis sin, d’fhéadfadh sé gurbh eisean a rinne sciatha an bhabhla mhóir chrochta is mó a fuarthas i gceann de na fionnachtana is cáiliúla seandálaíochta de chuid Iarthar na hEorpa, is é sin, an t-adhlacadh loinge Angla-Shacsanach ag Sutton Hoo in East Anglia.
It hints, rather, at the resurrection of Christ, the analogy being with the snake’s ability to shed its skin and be ‘reborn’.
Seachas sin, is comhartha í ar aiséirí Chríost, agus comparáid á déanamh léi idir cumas na nathrach a craiceann a chur di agus an idé a ghabhann le ‘athbhreith’.
The key to understanding the Christian iconography of the brooch is found on what is known as the ‘Marigold Stone’, from Carndonagh, Co. Donegal.
Tá fuascailt na ceiste faoi bhrí íocónagrafaíocht Chríostaí na deilge le fáil sa rud ar a dtugtar ‘an Chloch Scothóige’ atá le fáil i gCarn Domhnach, Co. Dhún na nGall.
More remarkably, however, the patterns on the brooch come from Jerusalem, specifically from the jars of holy oil sold to wealthy pilgrims at the Church of the Holy Sepulchre, the reputed burial place of Jesus.
Rud níos iontaí ná sin, áfach, tagann na pátrúin atá ar an dealg as Iarúsailéim, is é sin le rá go sonrach, as na searróga ola naofa a bhí á ndíol le hoilithrigh shaibhre ag Eaglais an Tuama Naofa, a ndeirtear ina leith gurb é áit adhlactha Íosa é.
Rising from the tomb is the Tree of Life on which Jesus ascends into Heaven.
Tá Crann na Beatha ag éirí aníos as an tuama agus is air sin a théann Íosa suas chun na bhFlaitheas.
This is the image of the resurrection shown in abstract and condensed form on the back of the brooch.
Sin íomhá an aiséirí agus é ar taispeáint i bhfoirm theibí, achomair ar chúl na deilge.
In addition, the millefiori cross on the brooch front represents the most famous monument to the resurrection in Jerusalem, the Crux Gemmata (jewelled cross).
De bhreis air sin, is ionann an chros millefiori ar éadan tosaigh na deilge agus léiriú ar an leacht is clúití i leith aiséirí Chríost in Iarúsailéim, is é sin, Crux Gemmate (an chros sheodmhar).
‘There is a remarkably sophisticated iconography at work here’, says Conor Newman of NUI Galway, ‘and it is the same message which ultimately can be sourced to the iconologists at work in Jerusalem in the sixth century.
‘Tá íocónagrafaíocht an-sofaisticiúil ann anseo’, arsa Conor Newman as Ollscoil na hÉireann, Gaillimh, ‘agus tá an teachtaireacht chéanna ann agus atá le fáil ó na híocóneolaithe a bhí ag obair in Iarúsailéim sa séú haois.
So you have a brooch that is pagan in its original form but that carries this complex symbolism of the resurrected Christ’.
Mar sin, tá dealg ann lena ngabhann buntréithe págánacha ach, ina theannta sin, lena ngabhann siombalachas casta Chríost aiséirithe’.
Very early in the history of Irish Christianity, there is a brilliant mixture of continuity with older traditions and up-to-date cosmopolitan thinking.
Go han-luath i stair na Críostaíochta in Éirinn, tá meascán iontach ann i dtaca le leanúnachas le traidisiúin níos sine agus smaointeoireacht iltíreach chomhaimseartha. ‘Tá duine éigin ann’, arsa an tUas.
‘You have somebody’, says Newman, ‘living around AD 600 in the midlands, whose brooch is probably made by the same person who made the biggest hanging bowl found at Sutton Hoo, and its iconography speaks not just to his religious persuasion, but to deep intellectual traditions that are most current in Palestine at this time’.
Newman, ‘atá ina chónaí i lár na tíre thart ar an mbliain 600 AD agus dealg aige a bhí déanta, is dócha, ag an duine céanna a rinne an babhla crochta is mó a aimsíodh ag Sutton Hoo, ar dealg í a deir linn ní amháin cén creideamh reiligiúnda a bhí ag a húinéir ach ar dealg í freisin a thugann léiriú ar thraidisiúin leathana intleachtúla a bhí chun tosaigh go mór sa Phalaistín an tráth sin’.
Basket Earrings A man in his late 30s or early 40s was buried alone at Amesbury, near the great English monument of Stonehenge, sometime around 2400–2200 BC.
Rinneadh fear a bhí sna tríochaidí déanacha nó sna daicheadaí luatha a adhlacadh ina aonar in Amesbury, gar do mhór-shéadchomhartha Stonehenge i Sasana, am éigin thart ar an tréimhse 2400-2200 RC.
From the huge range of objects in his grave, he had considerable status.
Mar gheall ar an raon ollmhór réad a bhí ann ina uaigh, is léir go raibh ardstádas aige.
The objects were similar to finds from the same period in Ireland: barbed and tanged arrowheads, a stone wrist guard, beaker-shaped pots.
Bhí na réada sin comhchosúil le nithe a bhaineann leis an tréimhse chéanna agus ar thángthas orthu in Éirinn: cinn saighde de chineál deilgneach agus luisige, cumhdach rosta cloiche, potaí ar déanamh eascra.
He even wore gold, basket-shaped earrings or hair ornaments.
Bhí fáinní cluaise óir nó ornáidí gruaige, ar déanamh ciseáin, á gcaitheamh aige fiú amháin.
In Amesbury, owner and objects were found together, offering far more information than similar isolated artefacts found in Ireland; and, although we must be cautious in our interpretations, information we can glean from Amesbury is likely also true of Ireland.
In Amesbury, thángthas ar an úinéir agus ar na réada in éineacht lena chéile, rud a thugann i bhfad níos mó faisnéise dúinn ná mar a thugann déantáin ar thángthas orthu ina n-aonar in Éirinn agus, cé nach mór dúinn a bheith cúramach faoin mbrí a bhainimid astu sin, is dócha go bhfuil an fhaisnéis a fhaighimid ó Amesbury fíor i gcás na hÉireann freisin.
What makes the Amesbury man so significant for an understanding of Irish prehistory is where he came from and the fact that copper knives and other tools in the grave show that he was a metalworker.
Is é atá sa ghné is suntasaí d’fhear Amesbury, i dtaca le tuiscint a fháil ar réamhstair na hÉireann, ná an áit arbh as dó agus go léiríonn an copar agus na sceana agus na huirlisí eile a bhí ann san uaigh gurbh oibrí miotail a bhí ann.
By studying the isotopes in his teeth, scientists have established that the ‘Amesbury Archer’ grew up in the Alpine region of southern Germany or Switzerland, where the mining and use of copper and gold had long been known.
Trí staidéar a dhéanamh ar na hiseatóip ina chuid fiacla, tá sé cruthaithe ag eolaithe gur fhás ‘Boghdóir Amesbury’ aníos i réigiún Alpach i ndeisceart na Gearmáine nó san Éilvéis, áit a raibh eolas ar mhianadóireacht agus ar úsáid copair le fada an lá.
Andrew Fitzpatrick, Head of Communications at Wessex Archaeology in Salisbury, suggests, from the evidence of some of the grave goods, that the archer probably made his way to England via southern France, the Iberian peninsula and the Atlantic.
De réir na fianaise atá le fáil ó chuid de na hearraí a bhí ann san uaigh, maíonn Andrew Fitzpatrick, Ceann Cumarsáide in Wessex Archaeology in Salisbury, gur dócha go ndearna an boghdóir a bhealach go Sasana trí dheisceart na Fraince, trí leithinis na hIbéire agus thar an Atlantach.
The Amesbury Archer provides crucial evidence about the biggest development following the emergence of agriculture: the mining and shaping of metals.
Soláthraíonn Boghdóir Amesbury fianaise ríthábhachtach faoin bhforbairt ba mhó a bhí ann tar éis theacht chun cinn na talmhaíochta: mianadóireacht agus múnlú miotal.
There is no dispute that the advent of metalworking in Ireland, around 2400 BC, is linked to new cultural practices characterised by the kind of objects found in the archer’s grave and by the practice of single rather than communal burial.
Ní ábhar díospóide é go bhfuil teacht chun cinn na miotalóireachta in Éirinn thart ar an mbliain 2400 RC nasctha le cleachtais nua cultúir ar saintréith díobh na cineálacha réad ar thángthas orthu in uaigh an bhoghdóra agus an cleachtas ar dá réir a adhlacadh daoine ina n-aonar seachas iad a adhlacadh in uaigh chomhchoiteann.
What is not clear, though, is, as Mary Cahill of the National Museum puts it, ‘whether it was brought by people on the move looking for new sources of metals or whether it is a transmission of information as opposed to of people.
Rud nach bhfuil soiléir, áfach, ná an freagra ar cheist a chuireann Mary Cahill, as Ard-Mhúsaem na hÉireann, is é sin le rá, ar thug daoine imirceacha a raibh foinsí nua miotal á lorg acu na cleachtais sin leo nó an cleachtais iad a tugadh ar aghaidh ó ghlúin go glúin in Éirinn.
But the fact that the Amesbury Archer turns out not to have been born in southern Britain and has travelled all the way from central Europe is indicative of some movement of people’.
Ach, dar léi, ós rud é nár rugadh Fear Amesbury i ndeisceart na Breataine agus gur thaistil sé an bealach ar fad ó lár na hEorpa, is léir go raibh gluaiseacht daoine i gceist.
We know that by about 2400 BC Ross Island in the Killarney lakes was perhaps the most important copper mine in northwestern Europe.
Tá a fhios againn gur dócha, faoin mbliain 2400 RC, gurbh é Oileán an Rois, i gceantar lochanna Chill Airne, ar an mianach copair ba thábhachtaí dá raibh ann in iarthuaisceart na hEorpa.
It is unlikely that this expertise emerged spontaneously.
Ní dócha gur tháinig an oilteacht sin chun cinn go spontáineach.
A large cultural shift is under way in Ireland, associated with the mining of copper and gold.
Bhí athrú mór cultúir ar siúl in Éirinn agus baint aige le mianadóireacht copair agus óir.
Funerary Pots Sometime in the Early Bronze Age, Irish people began to bury their dead in single graves.
Am éigin sa Chré-Umhaois Luath, thosaigh muintir na hÉireann ag adhlacadh na marbh in uaigheanna aonair.
This suggests something about their attitude to death and, perhaps more importantly, hints at their attitude to life.
Tugann sé sin léiriú ar a ndearcadh i leith an bháis agus, rud níos tábhachtaí fós b’fhéidir, tugann sé leide maidir lena ndearcadh i leith an tsaoil.
A notion is emerging that what is significant is not just the life of the community or of political or religious leaders.
Tá barúil ag teacht chun cinn a léiríonn nach é saol an phobail nó saol ceannairí polaitíochta nó reiligiúin amháin atá suntasach.
Not only are the dead given an individual burial, but the idea also takes hold that they will continue in some other form.
Ní amháin go raibh na mairbh á n-adhlacadh in uaigheanna aonair ach tá méadú ag teacht ar an tuairim go leanann na mairbh ar aghaidh tar éis an bháis i bhfoirm éigin eile.
‘There seems to be a change’, says Éamonn Kelly of the National Museum, ‘from the more communal approach of the great megalithic tombs to a more individualistic approach.
Dar le hÉamonn Kelly, as Ard-Mhúsaem na hÉireann, is léir gur tharla athrú ón gcur chuige comhchoiteann a bhí i gceist leis na mórthuamaí meigiliteacha go dtí cur chuige de chineál níos indibhidiúla.
This suggests that there was some sort of a change in how society was organised’.
Dar leis, tugann sé sin le fios gur tharla athrú de chineál éigin ar an tslí ina raibh an tsochaí eagraithe.
These pots are among the many ‘food vessels’ that survive from this period, some of which are vase-shaped, some bowl-shaped.
Tá na potaí seo i measc an iliomad ‘soithí bia’ de chuid na tréimhse seo atá ar marthain fós; tá cuid acu vása-chruthach agus tá cuid acu babhla-chruthach.
The abstract geometric decoration found on bowls of the era is very similar to that on Irish metalwork of the same period, especially on the gold lunulae.
Tá an maisiúchán teibí geoiméadrach a fhaightear ar bhabhlaí de chuid na ré sin an-chosúil leis an maisiúchán a fheictear ar shaothair mhiotalóireachta Éireannacha de chuid na ré céanna, go háirithe ar na luanlaí óir.
On the base of some pots is a starburst pattern that may relate to a sun cult.
Tá réalta-phátrún ann ar bhun cuid de na potaí seo agus d’fhéadfadh sé sin a bheith bainteach le cultas gréine.
The vessels were made to be buried with the dead.
Rinneadh na soithí d’aon turas chun iad a dhó in éineacht leis na mairbh.
The graves are generally just large enough to hold the body and the accompanying pots.
De ghnáth, ní bhíonn na huaigheanna ach sách mór chun an corpán agus na potaí tionlacain a choinneáil iontu.
Adding to this sense of a new awareness of the individual is an apparently wide choice of burial forms.
Mar gheall ar an rogha leathan cineálacha adhlactha a bhí ann, de réir dealraimh, is treise an tuairim go raibh aird níos mó á tabhairt ar an duine aonair.
Some members of the community do not seem to have been accorded a formal burial at all.
Is cosúil nach raibh daoine áirithe den phobal á n-adhlacadh ar mhodh foirmiúil ar chor ar bith.
Those who were, experienced an extraordinary and shifting diversity of funerary rituals: cremation, unburnt burial, disarticulated remains, multiple burials, pit graves, cist graves, flat graves and graves in or under mounds all occur over the five or six centuries before 1500 BC.
Iad siúd a bhí á n-adhlacadh go foirmiúil, bhí deasghnátha éagsúla adhlactha de chineál urghnách agus athraitheach ann ina leith: bhí créamadh, adhlacadh gan dó, taisí dí-altacha, il-adhlacadh, poill adhlactha, uaigheanna ciste, uaigheanna cothroma agus uaigheanna i ndumhaí nó faoi dhumhaí ann thar na cúig chéad, nó thar na sé chéad, bliain roimh 1500RC.
To our eyes, the most moving of these burials are those in which the dead person has been arranged in a foetal position.
De réir mheon an lae inniu, is iad na cineálacha adhlactha is mothúchánaí na cinn sin inar síneadh an duine marbh mar a bheadh féatas ann.
Why were the dead placed as if they were curled up in the womb?
Cén fáth gur cóiríodh na mairbh amhail is dá raibh cuachta istigh sa bhroinn?
The obvious suggestion is of a simple and beautiful metaphor: the tomb is a womb.
Is ionann an freagra simplí agus meafar álainn: is broinn í an tuama.
The dead are to be reborn into another life.
Tá na mairbh le hathbheochan i saol eile.
The drink or food in the vessel is meant to sustain them on the journey from one state to the other.
Tá na deochanna agus an bia atá ann sa soitheach ceaptha chun iad a chothú ar an mbealach ó staid amháin go dtí an staid eile.
This tells us both that these Bronze Age people were looking carefully at the human body: they knew the shape of the child in the womb; and that this capacity to observe humanity went hand in hand with a desire to transcend it.
Is ionann sin is a rá go raibh na daoine de chuid na Cré-Umhaoise ag féachaint go cúramach ar an gcorp daonna: bhí siad eolach ar chruth an linbh sa bhroinn; agus go raibh an cumas sin chun breathnú a dhéanamh ar an daonnacht ann in éineacht le fonn chun í a tharchéimniú.